This work is an experimental short video accompanying my photographic project " How shall we greet the sun" The aim is to activate this work through different mediums of expression The video concerns women migrants' representation by means of exploring their complex memories. I mediate between two memories. The first one belongs to my friend Randa who told me in a WhatsApp voice message how she felt having a private bathroom again for the first time in one of the refugee camps. The other memory was from my mother in Yemen. She sent me a photo from our family archive and asked me to identify my aunts and uncles in the image.I was immersed in deep sorrow as I tried to recognize those who had passed away during the years I have been outside Yemen. Between the past and the present. Between Randa, who invested herself in the pleasure of remembering and her joyful act of resistance and my mother's message showing me a photo of family members who don't exist anymore. These paradoxical events made me realise that memories have no shape or colour; that when we attempt to formulate new memories in our post-disaster homes, we will be haunted by the shattered memories of what we left behind.

The video will be screened at Breda Photo festival as part “Grounding – Stories of Migration”, an exhibition organized by FOTODOK x BredaPhoto